Posts Tagged ‘Eka Hasta Bhujangasana’

Ankles Crossed in Bhujapidasana (Shoulder Pressure Pose)

Friday, December 17th, 2010

Bhujapidasana (Shoulder Pressure Pose) registers as 8* on BKS Iyengar’s 60* scale of difficulty in Light on Yoga.

Bhujapidasana is very similar to Dwi Hasta Bhujangasana. The difference between these two yoga poses is in your feet: in Dwi Hasta Bhujangasana, the soles of your feet touch; in Bhujapidasana, your ankles cross.

Try this pose a couple of times. Do you tend to cross your ankles in the same way every time? I know I do. Iyengar anticipates this tendency in his instructions on the pose. He specifically directs the practitioner to take the pose a second time, changing the crossing of your ankles. Make sure you attempt the pose from both sides.

Seemingly small details like this keep me present in my practice. When I focus on the nuances of the pose, I listen to my body in a deeper way. What keeps you present on your mat?

Happy Birthday Iyengar and Eka Hasta Bhujangasana (One Hand and Arm Pose)

Wednesday, December 15th, 2010

Eka Hasta Bhujangasana (One Hand and Arm Pose) registers as 5* on BKS Iyengar’s 60* scale of difficulty in Light on Yoga.

As mentioned in my previous post, Eka Hasta Bhujangasana can serve as great preparation for Astavakrasana. But, this yoga pose is awesome in its own right. For instruction on how to do Eka Hasta Bhujangasana, check out the Astavakrasana post.

Yesterday was BKS Iyengar’s 92nd birthday. Today, rather than focusing on the asana at hand, I’d like to take time to simply thank Iyengar for his contributions to all yogis and to me. Throughout my project to do all the poses in Light on Yoga,  I have been humbled, awe-struck, inspired and enlightened by the wisdom of BKS Iyengar’s words and the beauty of his practice. I hope that my blog provides you an outlet to share your passion for practice, and your reverence for the teachers who inspire you along your path.

Who inspires your practice? Celebrate those people today!

From Crooked to Straight in Astavakrasana (Pose Dedicated to the Sage Astavakra)

Friday, December 10th, 2010

Astavakrasana is named after the sage Astavakra. This yoga pose registers as 13* on the 60* scale of difficulty.

According to BKS Iyengar in Light on Yoga, while he was in his mother’s womb, Astavakra laughed at his father, Kagola, who made a mistake reciting the Vedas. Kagola was so angry at his son’s prenatal laughter that he cursed him to be born as Astavakra, or Eight-Crooks, and Astavakra was born crooked in eight places. Astavakra became a great young scholar, defeating the court scholar in a philosophical debate. Upon this victory, Kagola blessed his son and Astavakra’s deformities vanished and he was straight again.

The pose Astavakrasana requires crookedness to reach straightness. First, do Eka Hasta Bhujangasana (stay tuned – this is the next yoga pose in the blog). To do Eka Hasta Bhujangasana, extend your left leg long in front of you. Cradle your right leg in your arms and swing your right leg over your right shoulder so the back of your right knee is as high up your right shoulder as possible. The high placement of your bent leg on your shoulder is essential to moving into Astavakrasana. Then, press your hands down by your hips to lift yourself off the ground.

Next, bend your left leg and cross your left foot over your right. Press your feet into each other to help maintain the strength in your legs. Then begin to swing your hips over to the right and straighten your legs. Bend your elbows like you would in Chaturanga Dandasana. Squeeze your inner thighs together as much as possible and drop your torso parallel with the earth.

While Astavakrasana ultimately requires straight legs and straightening your body parallel to the floor, you can only achieve this by exaggerated crookedness in the steps leading up to the yoga pose. The crook of your knee resting on your shoulder in Eka Hasta Bhujangasana, the firm intertwining of your feet as you extend your legs, the 90 degree bend of your elbows all combine to assist you into a longer, straighter Astavakrasana.

BKS Iyengar’s method of getting into the pose differs slightly in that he doesn’t begin with Eka Hasta Bhujangasana and instead keeps both legs bent until the final moments before the complete pose. Personally, I prefer beginning in Eka Hasta Bhujangasana to remind myself to create length in my legs in the final pose. But you tell me – how do you get into Astavakrasana?