Posts Tagged ‘Iyengar’

Healthy Body, Healthy Mind: Eka Pada Setu Bandha Sarvangasana or Eka Pada Uttana Mayurasana (One Legged Bridge Pose or One Legged Stretched Peacock Pose)

Tuesday, September 14th, 2010

Eka Pada Setu Bandha Sarvangasana (One Legged Bride Pose) registers as 11* on the scale of difficulty.

Like Setu Bandha Sarvangasana, Eka Pada Bandha Sarvangasana helps the practitioner to develop a healthy and supple spine. As Iyengar states, “A healthy and flexible spine indicates a healthy nervous system. If the nerves are healthy, a man is sound in mind and body.” A healthy body creates a healthy nervous system; a healthy nervous system creates a healthy body.

Every yoga pose works toward both of these aims. In every single asana, specific parts of the body receive essential strength conditioning, stretching and relaxation and specific parts of the nervous system are engaged or disengaged for therapeutic effect. When we perform the yoga postures associated with a full class, we experience the most complete array of mind/body benefits.

When I arise from my yoga mat after a deep, long practice, I feel both completely depleted and completely replenished. I used to associate this feeling with just the physical exertion of an asana practice, but now I know that this feeling goes deeper to include the exertion and release of all the subtler aspects of my body: the nervous system, the chakras, the vayus (directions of prana within the body). I cherish this sense of wholeness and bliss almost like a sacred secret. While to the outside observer, my yoga practice may just look like a good workout, I know that it’s benefits carry through to a deeper, enigmatic space within. That knowledge is just one of the countless reasons I roll out my mat every day.

How do the deeper effects of your yoga practice inspire you to roll out your mat?

A Force of Habit in Setu Bandha Sarvangasana or Uttana Mayurasana (Bridge Pose or Stretched Peacock Pose)

Sunday, September 12th, 2010

Setu Bandha Sarvangasana (Bridge Pose) registers as 10* on the scale of difficulty.

My version of Setu Bandha Sarvangasana looks somewhat different than what Iyengar describes as the pose. In my Setu Bandha Sarvangasana, my feet are hip distance apart, my knees are directly over my ankles, and the entire back of my arms press into the ground to help lift my hips higher. In Iyengar’s Setu Bandha Sarvangasana, your feet touch, your legs are straight, and your hands press into your lumbar spine to help lift your hips higher. Even the way we come into the pose is different: I approach Setu Bandha Sarvangasana from a supine position, with the soles of my feet on the earth; Iyengar approaches the asana from Salamba Sarvangasana I.

Given the number of differences between Iyengar’s version and my version, I wasn’t surprised to see that, when I try Iyengar’s version, I end up somewhere between my typical practice and his instructions. My feet remain slightly apart and my knees remain slightly bent. These deviations from Iyengar’s instructions weren’t so much a conscious choice as they were a force of habit. We often become so accustomed to how we approach an asana that approaching it from another angle becomes difficult. Even when we make an earnest attempt to try something new, sometimes our habits remain written on our bodies.

Yoga unravels many of the habits of our bodies – our tendencies to slump through our shoulders, to crank our necks into wacky positions, to stick out our bellies. But, we create habits in our yoga practice as well. Ritual and consistency always have their place on the mat, but remain aware of tendencies to fall into rote expressions of the poses. By challenging yourself with new adjustments to familiar asanas the poses remain alive, vibrant and genuine. And isn’t that what it’s all about?

Always Enough in Parsva Sarvangasana (Side Shoulderstand)

Saturday, September 11th, 2010

Parsva Sarvangasana (Side Shoulderstand) registers as 9* on the scale of difficulty.

Iyengar’s version of Parsva Sarvangasana is much more dramatic than mine. Lowering your legs as low to one side as Iyengar does requires great strength in your arms, your wrists, your abs and your back. Today, I don’t have the strength to lower my legs as far to the ground as Iyengar’s. That’s okay. When I find myself faced with poses I’m simply not strong enough to take on fully, I thank myself for what I hope will be many years of yoga practice ahead of me and I remind myself that the practice is not a competition – not even with myself. It’s always enough to just be present, curious, and lighthearted.

How is your yoga practice always enough, just as it is?

Paying Attention in Parsvaika Pada Sarvangasana (Side One-Legged Shoulderstand)

Wednesday, September 8th, 2010

Parsvaika Pada Sarvangasana (Side One-Legged Shoulderstand) registers as 6* on Iyengar’s 60* scale of difficulty.

As with Eka Pada Sarvangasana, in Parsvaika Pada Sarvangasana you must pay careful attention to both legs. Often, we get so caught up in the desire to reach our right foot down to the ground that we forget about the left leg. Then, the left leg sways over to the right in an attempt to assist the right leg closer to the floor. As a result, the right side body crunches, limiting the openness of the pose.

When you practice Parsvaika Pada Sarvangasana, actively press up through the ball of your left foot and internally rotate your left leg. As you lower the right leg down to the ground, remain watchful of the left leg’s position. If it starts to sway over to the right, back out of the fold in the right leg a bit to allow your left leg to remain straight and strong.


Listening to Both Legs in Eka Pada Sarvangasana (One Legged Shoulderstand)

Wednesday, September 1st, 2010

Eka Pada Sarvangasana (One Legged Shoulderstand) registers as 5* on Iyengar’s 60* scale of difficulty.

This pose combines two of my favorite asanas – Halasana and Salamba Sarvangasana I – into one magical moment. But, when you extend your right leg overhead into Halasana, you may compromise the alignment of your left leg by externally rotating your left inner thigh open, away from your midline. Instead, your upstretched leg should internally rotate so that your inner thigh rolls in toward your midline and you square off your hips. However, sometimes we get so focused on watching the right foot reach the floor that we lose sight of the alignment of the left leg.

Rather than focusing on reaching your right foot to the ground, focus on maintaining the alignment of the pose. Perhaps try the asana with the crown of your head about a leg’s distance away from a wall so that you can gently place the ball of your right foot onto the wall behind your head. This adjustment will allow you to explore your way into a deeper expression of Eka Pada Sarvangasana more carefully – listening to the feedback in your left leg the whole time.

Beyond Blushing: Parsva Halasana (Lateral Plow Pose)

Tuesday, August 31st, 2010

Parsva Halasana (Lateral Plow Pose) registers as 4* on the scale of difficulty.

Iyengar says that, since the colon is inverted and exercised in Parsva Halasana, the asana helps aid in elimination and the relief of constipation. Iyengar, along with most yogis, believes greatly in the importance of clearing the body of waste and toxins on a regular basis. He says, “If rubbish is dumped outside our house we feel sick. How much more so when waste matter which creates toxins is allowed to accumulate in our own system? If this waste matter is not eliminated, diseases will enter the body like thieves and rob us of health. If the bowels do not move freely, the mind becomes dull and one feels heavy and irritable. This asana helps us to keep the bowels free and thereby win the prize of health.”

Often the topic of bowel movements makes people blush. But, the yoga practice encourages us to develop a greater awareness of the effects that yoga poses and movement can have on our internal system – physically, mentally, and emotionally. Rather than turning two shades of red the next time your teacher asks you to tighten the muscles of your perineum to engage Mula Bandha,  consider the moment as an opportunity – to truly draw your attention to the inner workings of your body, to release your inhibitions, and to be curious rather than closed off. Who knows? Maybe you’ll discover something you never noticed before.

Greeting an Old Friend in Supta Konasana (Reclined Angle Pose)

Monday, August 30th, 2010

Supta Konasana (Reclined Angle Pose) registers sa 2* on Iyengar’s 60* scale of difficulty. This pose is a variation of Halasana.

Of the numerous upcoming Salamba Sarvangasana variations that await in the days ahead, this one is my favorite. Supta Konasana shares many qualities with Prasarita Padottanasana I and Prasarita Padottanasana II, both of which are cornerstones in my practice. I never practiced Supta Konasana until now, but because of the pose’s similarity to the Prasarita Padottanasana variations, coming into the asana felt like greeting an old friend.

In unfamiliar poses, draw upon your knowledge of the more familiar asanas in your practice. What other asanas come together to form the basis of the more challenging asana before you? When we gaze upon a difficult pose as a compilation of more basic poses we’ve explored throughout the years, the more difficult poses seem less intimidating. We can break the puzzle apart and begin working toward what might have previously seemed impossible.

How have you used more basic poses to build toward a more challenging pose?

Galaxies Within: Karnapidasana (Ear Pressure Pose)

Saturday, August 21st, 2010

Karnapidasana (Ear Pressure Pose, 1* on the scale of difficulty) represents a drawing inward, a closing off of the senses and stimulation from the outside world. Despite the initial fear I experience in similar poses like Sanmukhi Mudra (when you close off all outward channels of stimulation – the eyes, ears, and nose – while seated in Padmasana), I love Karnapidasana.

Unlike in Sanmukhi Mudra, in Karnapidasana your nasal passages remain completely unobstructed. This small detail makes a huge difference in my comfort level within the pose. When my breathing remains free, I feel unafraid to truly draw inward. I close my eyes and gently close off my ears with a small amount of pressure from my knees. Then, the only thing left to do is listen. The breath courses in and out, beckoning me to travel deeper. Just beneath the confines of flesh and bone lie vast galaxies of sensation.

While all the asanas have the potential to heighten our internal awareness, poses like Karnapidasana especially create the time and space to gaze inward with wonder. Which poses entice you to explore the mystery and magic of the subtle body?

Goodnight and Joy Be With You All: Halasana (Plow Pose)

Wednesday, August 18th, 2010

Halasana (Plow Pose) registers as 4* on Iyengar’s scale of difficulty.

Halasana is arguably one of my favorite asanas because of the deep back body stretch it provides. In Halasana, your spine and hamstrings are fully extended and stretched. As Iyengar mentions, stretching the back body so completely helps prepare you for Paschimottanasana, another deep back body stretch.

Interestingly, Paschimottanasana is also one of my favorite poses. My love of these deep back stretches stems from their symbolism. As I mentioned in my post on Paschimottanasana, the back body represents the past. When we stretch our back bodies, we open up to and acknowledge the past, as well as let go of it.

This past weekend, I went to a folk music festival where one of the bands, The Swell Season, played a traditional Irish song at the end of the night. The song, “The Parting Glass” is typically sung at a wake, from the perspective of the corpse. That may sound a bit morbid, but the lyrics are a beautiful reminder of the importance of looking back on the past with equanimity and no regrets:

Of all the money that ere I had, I spent it in good company

And of all the harm that ere I done, alas ’twas done to none but me

And of all I’ve done for want of wit, to memory now I can’t recall

So raise to me the parting glass, goodnight and joy be with you all.

How can you, on your mat and in your life, gaze back upon the past with love, gratitude, and joy? The next time you catch yourself rethinking the pose you just did two minutes ago, or wishing that your day had turned out differently, pause. Be glad to be here, right now, and thank the past for ushering you forward.

Heeding the Call in Niralamba Sarvangasana II (Unsupported Shoulderstand II)

Tuesday, August 17th, 2010

Niralamba Sarvangasana II (Unsupported Shoulderstand II) registers as 4* on the scale of difficulty.

Iyengar says, “This is the hardest of the Sarvangasana poses. It enables one to extend the spinal vertebrae more than in the other Sarvangasanas and thus helps one to achieve a perfect Salamba Sarvangasana.”

Extending the vertebrae in Niralamba Sarvangasana II isn’t quite so easy, though. As I discovered in Salamba Sarvangasana II and Niralamba Sarvangasana I, maintaining an erect spine grows increasingly difficult in the Sarvangasana cycle since you must rely more and more heavily on your back muscles to support you. Since I’m not yet capable of supporting my weight on my upper back, I don’t reap the benefits of Niralamba Sarvangasana II.

All practitioners struggle with acknowledging the moments when an interest in “achieving” a pose gets in the way of experiencing the pose’s benefits. Sometimes, we become so focused on an end goal that we fail to connect with the most important effects of the asanas. Practicing Niralamba Sarvangasana II put me in direct contact with the interplay between achievement of an asana and the call to honor one’s body. Ultimately, I heeded the call and gently replaced my hands on the earth.